Music – Christopher Cerrone

Opera

In a Grove

(2019)

for four singers (SCtTB), small ensemble, and electronics

All Wounds Bleed

(2011)

for soprano, mezzo-soprano, tenor, and piano

Invisible Cities

(2009-2013)

for four solo voices, vocal ensemble (SATB), eleven players, and electronics

Orchestra

The Air Suspended

(2019)

for piano and string orchestra

Meander, Spiral, Explode

(2019)

for percussion quartet and orchestra

Violin Concerto: “Breaks and Breaks”

(2018)

for violin and orchestra

The Insects Became Magnetic

(2018)

for orchestra and electronics

Will There Be Singing

(2017)

for orchestra

High Windows

(2013)

for string orchestra

Still Life for Violin and Orchestra

(2010)

for violin and orchestra

Invisible Overture

(2008/13)

for small orchestra

Large Ensemble

The Air Suspended

(2019)

for piano and string orchestra

The Branch Will Not Break

(2015)

for eight singers (SSAATTBB) or small choir and ten players

The Pieces That Fall to Earth

(2015)

for high soprano and 14 players

Reading a Wave

(2008/10)

for for three trios throughout the audience

Invisible Overture (version for 10 players)

(2008)

for 10 players

Vocal

Goldbeater’s Skin

(2016)

for percussion quartet and mezzo-soprano

Apocatastatis from Goldbeater’s Skin

(2016)

for soprano, guitar, vibraphone, and prepared piano

The Naomi Songs (version for voice and sextet)

(2015)

for voice and sextet

The Branch Will Not Break

(2015)

for eight singers (SSAATTBB) or small choir and ten players

The Pieces That Fall to Earth

(2015)

for high soprano and 14 players

The Naomi Songs

(2015)

for mezzo-soprano or baritone, eleven players, and looping electronics

Not One Word

(2014)

for men's choir (a cappella)

I will learn to love a person

(2013)

for soprano, saxophone (or clarinet), percussion and piano

That Night with the Green Sky

(2012)

for soprano and piano

How to Breathe Underwater

(2011)

for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics

Requiem for K.V.

(2007/2009)

for solo amplified voice and pre-recorded voices

three e.e. cummings poems

(2004)

for for SSAATTBB choir

Solo and Chamber

Why Was I Born Between Mirrors?

(2019)

for flute (or sop. sax), clarinet (doubling b.cl), violin, cello, piano, and percussion

A Natural History of Vacant Lots

(2017-18)

for percussion quartet (or solo percussion) and electronics

Can’t and Won’t

(2017)

for string quartet

Goldbeater’s Skin

(2016)

for percussion quartet and mezzo-soprano

Memory Palace (version for percussion quartet)

(2016)

for percussion quartet and electronics

Double Happiness (version for piano and percussion)

(2016)

for piano, percussion, and electronics

The Arching Path

(2016)

for solo piano (or version for two pianos)

Liminal Highway

(2016)

for flute and electronics

Sonata for Violin and Piano

(2015)

for violin and piano

On Being Wrong

(2015)

for solo cello and electronics

Shall I Project a World?

(2015)

for solo violin

South Catalina

(2014)

for flute, clarinet, percussion, piano, violin, and cello

I will learn to love a person

(2013)

for soprano, saxophone (or clarinet), percussion and piano

Memory Palace

(2012)

for percussion and electronics

Double Happiness

(2012)

for electric guitar, percussion, and electronics

That Night with the Green Sky

(2012)

for soprano and piano

Recovering

(2011/2012)

for cl, bsn, tpt, tbn, vibraphone, vln, d.b.

How to Breathe Underwater (quartet version)

(2011/16)

for male voice, trumpet, trombone, and bass clarinet

The Night Mare

(2011)

for flute, clarinet, percussion, piano, violin, viola, cello, and electronics

Hoyt-Schermerhorn

(2010)

for piano and electronics

Variations on a Still Point

(2006/7)

for guitar, saxophone, percussion, and piano

Installation/Arrangements

WA Mozart Concerto No. 9, Mvt II

(2010)

for solo piano, chamber orchestra, and electronics

Serenity (Charles Ives arr.)

(2010)

for bass flute, bass clarinet, percussion, piano, violin, viola, and cello

Five Days

(2008-10)

for fixed media