Solo and Chamber (1-7 players)

Why Was I Born Between Mirrors?

(2019)

for flute (or sop. sax), clarinet (doubling b.cl), violin, cello, piano, and percussion

A Natural History of Vacant Lots

(2017-18)

for percussion quartet (or solo percussion) and electronics

Can’t and Won’t

(2017)

for string quartet

Goldbeater’s Skin

(2016)

for percussion quartet and mezzo-soprano

Memory Palace (version for percussion quartet)

(2016)

for percussion quartet and electronics

Double Happiness (version for piano and percussion)

(2016)

for piano, percussion, and electronics

The Arching Path

(2016)

for solo piano (or version for two pianos)

Liminal Highway

(2016)

for flute and electronics

Apocatastatis from Goldbeater’s Skin

(2016)

for soprano, guitar, vibraphone, and prepared piano

The Naomi Songs (version for voice and sextet)

(2015)

for voice and sextet

Sonata for Violin and Piano

(2015)

for violin and piano

On Being Wrong

(2015)

for solo cello and electronics

Shall I Project a World?

(2015)

for solo violin

South Catalina

(2014)

for flute, clarinet, percussion, piano, violin, and cello

I will learn to love a person

(2013)

for soprano, saxophone (or clarinet), percussion and piano

Double Happiness

(2012)

for electric guitar, percussion, and electronics

That Night with the Green Sky

(2012)

for soprano and piano

Recovering

(2011/2012)

for cl, bsn, tpt, tbn, vibraphone, vln, d.b.

How to Breathe Underwater (quartet version)

(2011/16)

for male voice, trumpet, trombone, and bass clarinet

The Night Mare

(2011)

for flute, clarinet, percussion, piano, violin, viola, cello, and electronics

How to Breathe Underwater

(2011)

for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics

Serenity (Charles Ives arr.)

(2010)

for bass flute, bass clarinet, percussion, piano, violin, viola, and cello

Requiem for K.V.

(2007/2009)

for solo amplified voice and pre-recorded voices

Variations on a Still Point

(2006/7)

for guitar, saxophone, percussion, and piano